THE FLAIRS PRESS CLIPPINGS

 

The Flairs            July 2006

Perhaps it was the Fickle Finger of Fate that brought Canadian guitarists Dawn Mandarino and Gillian Hanna together in the summer of 2002. The two happened to cross paths while touring with separate bands, and after successfully jamming together with drummer Jen Foster, the ladies added Hanna’s brother Ryan on bass to form the Flairs. The two guitarists’ playing is complimentary, with Mandarino concentrating mainly on rhythm, and Hanna covering riffs and solos. Celebrating the release of Shut Up and Drive [Pacific Music]—which the band describes as “a hodgepodge of rock, metal, punk, and pop”—Flair will be touring Canada and the U.S. throughout the summer (check out theflairs.com for news and updates).

 Who are your influences? Hanna: I was influenced a lot by Slash. He was one of the reasons I picked up the guitar. I really dug his tone and style, and I wanted to play like that.

Mandarino: Seeing the Ramones performing “Rock ‘n’ Roll High School” when I was really young inspired me to play punk rock. Their songs are clever in the sense that they’re so basic, and yet so powerful. I think they are the best songwriters of all time.

What gear do you use?

Hanna: I play left-handed, and I was lucky enough to find a black left-handed Les Paul Custom. But I also play a Minarik Goddess, and both guitars are strung with Ernie Ball Skinny Top/Heavy Bottoms Slinkys (.010-.052). My amp is a Marshall JCM-2000, and my effects are a Dunlop CryBaby and a Boss overdrive.

Hanna: I was influenced a lot by Slash. He was one of the reasons I picked up the guitar. I really dug his tone and style, and I wanted to play like that.

Mandarino: Seeing the Ramones performing “Rock ‘n’ Roll High School” when I was really young inspired me to play punk rock. Their songs are clever in the sense that they’re so basic, and yet so powerful. I think they are the best songwriters of all time.

What gear do you use?

Hanna: I play left-handed, and I was lucky enough to find a black left-handed Les Paul Custom. But I also play a Minarik Goddess, and both guitars are strung with Ernie Ball Skinny Top/Heavy Bottoms Slinkys (.010-.052). My amp is a Marshall JCM-2000, and my effects are a Dunlop CryBaby and a Boss overdrive.

Mandarino: My favorite guitar is my Gibson SG-1, which only has one pickup, and I use Dean Marley LTHB strings (.010-.052). I play through a Marshall JCM-2000. I don’t use any pedals because I’m influenced by punk rock, and I like the simple Gibson through Marshall approach.

How does your new album differ from your previous EP?

Hanna: It’s a little heavier sounding.

Mandarino: We’ve grown a lot since then as songwriters. Now, we take the time to go through the songs and make sure they’re really how we want them to sound.

Do you have aspirations to get signed?

Hanna: Sure. I think we’ve done pretty well so far on our own, but if the time is right and the company is right, then who knows? It’s always nice to have money behind you.

Mandarino: If it happens, it happens. But, in the meantime, we’re having fun doing what we’re doing.

 

 

Vancouver Buzz: The Flairs Rock Indonesia
Friday September 15, 2006 @ 06:30 PM
By: ChartAttack.com Staff

The Flairs' Dawn Mandarino (photo by David Leyes)
The Flairs' Dawn Mandarino (photo by David Leyes)

In other news, I recently spoke to Flairs frontwoman Dawn Mandarino to find out what's been happening in camp Flairs. Not only have they been spreading their tunes across Canada, but they've been carrying their tunes to foreign shores.

"We just got back from a 13-week tour, including two weeks in Indonesia," explains Mandarino. "We played several massive festivals, one of which had INXS on the bill."

You can check out some photos here.

—Trevor Hargreaves

 

 

 

allmusic

Shut Up and Drive

Review by William Ruhlmann

 

The Flairs, who hail from Vancouver, British Columbia, Canada, are a standard guitar/bass/drums pop-punk quartet that writes and performs quick-tempo, guitar-driven rock tunes. In their publicity materials, they make a point of citing their affection for the Ramones, but on their debut full-length, Shut Up and Drive, they cover Skid Row's "18 & Life," which is perhaps more indicative of their sound. Of course, '70s punk rock and '80s hair metal were never really that far apart musically; it was more a matter of attitude (and wardrobe). Singer Dawn Mandarino presents lyrics that focus primarily on romantic scorn, which fits with the aggressive music. But she never loses her sense of melody, and the music, while propulsive, never gets really wild. That's the mark of pop-punk, and the Flairs do it quite well.

 

Recommended Tracks: 18 & Life, Ready to Roll, Destroyer

 

 

 

Exclaim Magazine Toronto, Ontario

 

By Liz Worth
June 25, 2006

The Flairs’ full-length follow up to 2004’s self-titled EP has this four-piece returning with a mature, polished sound that is impossible to miss. Formed by ex-Tuuli members Dawn Mandarino and Jen Foster, along with Gillian and Ryan Hanna, the Flairs aim to combine a powerhouse sound inspired by trash rock and power punk. Where the band’s debut EP still seemed to hold onto bits and pieces of Tuuli’s syrupy sweetness, Shut Up and Drive sees the Flairs truly embrace a new level all their own. Although the cover of Skid Row’s “18 & Life” appeared on the EP, it makes a comeback on this release and this time around falls perfectly in line with the rest of the material, like the spiralling “Destroyer” and “Drive By.” Mandarino’s vocals still pour honey over every frayed chord and frenzied drum beat, and the non-stop bounce behind every song maintains irresistible pop punk hooks that are coated with a sleek new confidence.

 

 

 

TANGIBLE SOUNDS (www.tangiblesounds.com)

The Flairs
Shut up and Drive
3.5/5

The Flairs, 3/4ths female, are an edgy rock and roll band from Vancouver and when listening to their dense rock songs it’s hard not to think of the Donnas. The high energized spunk that radiates through their gritty hair metal influenced cuts is feminized rock and roll at its finest. But calling them a cheap rip off of the Donnas would be completely misleading and downplaying because The Flairs really expand on basic rock. The pop rock touches bust out beneath rough drum patches and the vocals shift from fiery curtness to slick melody enhancers. Punk trickles in for some action too at various times throughout the album.

On the second cut they nail a cover of Skid Row’s “18 and Life.” Ripping guitar and bass riffs really bring out the rough tinted vocals and give them time to shine. All the tracks are plastered with catchy choruses, like any good pop rock album should be. The power chording on “Sorry for Loving You” really taps into abrasive Ramones-like cohesiveness and plays on Bif Naked’s vocal arrangements.

I find the album title so contradicting. They tell you to “Shut Up and Drive,” yet if you really were in a car and popped in this disc, it would be hard to resist the urge to belt out the addictive chants. They throw you a romping rock record and expect you to keep your lips sealed? How dare they? But I guess that’s where irony comes is, and that sense of humor permeates the whole disk.
 
- Sari Delmar

 

 

 

 

 

Soundproof Review Toronto, Ontario

 

 

 

 


                                                              
Chicago Based Music Magazine Est. 2002

 

Thanks to the Donnas, who by the way I think are pretty terrible, any band that claims to be rock with punk rock influences and features mostly females in the band always seemed to unfairly get stereotyped as a Donnas Sound-a-like. Thank god that the Flairs don't sound a thing like this. With the more poppy, rock style on tracks like "Stay The Same, "Destroyer," and "Enemy" mixed with the wonderful, innocent voice of lead vocalist Dawn Mandarino I was mostly reminded of the soundtrack from Josie and The Pussycats movie from a few years back. By no way should that be taken as a shot because I love that soundtrack. The other side of this band comes from Gillian Hanna's guitar work. It wasn't too much of a surprise that Hanna played with rocker Bif Naked's band prior to joining The Flairs. Her loud, rowdy guitars show the pure rock side of the Flairs and combined with the more pop driven tracks this is an album for anyone and everyone to find and love the minute they hit play. Great combination of rock and pop influences and the voice is pretty amazing and will keep you listening if the catchy guitars don't. (JK)  

 

 

 

 

 

 

 

The Flairs - Shut Up and Drive (Pacific Music)

By Troy Doebbler

In the vein of bands such as The Start and The Donnas, The Flairs bring you some rocking music that is filled with cool melodies and fun riffs. As I listen through the disc I find myself very impressed with the ease at which the music hits the palate. The songs are rocking but for whatever reason are very easy to listen and get into to. I was pleasantly surprised that The Flairs had the balls to play and record and managed to pull off “18 and Life” by Skid Row, I thought I heard some An tares on there but I could be wrong. A common theme seems to be rolling through this release, an internal conflict between ones self and their mate, or chosen path in life. This is a common theme but everyone is an individual with their own set of problems, so the music and lyrics are still fresh. I also pick up a hint of the Pop eighties now and again, but hey that’s alright, like I said before the music is fun and entertaining. I like the release as a whole but I do have some favorites which are “Stinger”, “Falling into Pieces”, “18 and Life”, and “Under my Skin”. All in

All, this is a cool release so check it out if you get the chance, I think you will dig it if the aforementioned bands are your flavor. For more info on the band and their happenings, go to www.theflairs.com.

 

 

 

St Rock NRoll - CONCERT REVIEWS

The Flairs CD release party

The third band up was the Flairs. The band has arguably the hottest female lead singer the world is about to see, the best female guitarist with incredible musical talent, a bassist reminds you of Nikki Sixx, and the female version of Tre Cool on the drums. That, I say, is a guaranteed recipe for success. The moment The Flairs started playing; they captured the crowd's attention with catchy and melodic tunes. The band played tracks off their new record "Shut Up and Drive". Although clearly not many people knew them at the beginning, I'm sure The Flairs sold more than just a couple of records by the end of their set.

http://www.neufutur.com/Reviews/theflairs.html

 

The Flairs – Shut Up and Drive

The Flairs – Shut Up and Drive / 2006 JMP / 13 Tracks / http://www.theflairs.com/ / Reviewed 23 July 2006 The Flairs start off with “Poison Love”, and the style of music that they make is a punkish, rockish blend that can be compared to acts like The Donnas, The Eyeliners, and Bif Naked. The tracks are created with catchy choruses, the power chords are many, and the band just feels as if they will make it to the big time in just a few months. The second track on “Shut Up and Drive” is a cover of the Skid Row classic “18 & Life”.

The ties that current punk acts have with Skid Row are many; on the “Punk Goes Metal” album alone, there are two covers of Skid Row tracks (Ataris take on “I Remember You” where Swindle covers “Youth Gone Wild”). How exactly does The Flairs stack up to those acts in covering Sebastian Bach? The cover does not add much in the way of extra material to the original, but The Flairs’ cover sets the tone for tracks like “Sorry 4 Lovin’ You”. While “Poison Love” was a track that was more in a Ramones vein, “Sorry 4 Lovin’ You” slingshots off of the Skid Row style and is much more based in an eighties hair-metal style. This brings The Flairs into a firmly Sum 41 type of groove; this sound is something that comes back at times during “Shut Up and Drive”, but is not a common thread to all of the tracks on the disc. For example, “Stinger” mixes a pop set of vocals with a ska and funk instrumental backdrop just to keep individuals interested. “Ready To Roll” is a track that brings The Flairs back to a place that they were during “Poison Love”.

This means that the band is just trying to come forth correct with only the power chords and the volume cranked up; the vocals put the band into a Josie and the Pussycats (2003 movie version) type of sound more than anything. At some point, wherever that The Flairs go with “Shut Up and Drive”, the band is able to eke out success after success. The catchiness of this album is at such a high degree that this can be the next must-have album to stick in your car for the next six months. While the style of music that The Flairs play may not always be at the cutting edge, they provide a harder-rocking alternative to The Veronicas and Avril.

Top Tracks: Destroyer, Sorry 4 Loving You

Rating: 7.5/10

Welcome to newtimesbpb.com

 

Hitting the Skids
By Terra Sullivan

While on tour in support of their latest CD, Shut Up and Drive, Canadian rawker girls (and one lone fellow) The Flairs have done just that – except instead of keeping quiet, they chronicled all of the sometimes-seedy goings-on on their MySpace tour blog. If you take a look-see, you’ll wonder if it’s fodder for a future tell-all biography that would stand up against any by the Ramones, Guns ‘n’ Roses, or assorted ‘80s metal acts that the Flairs look up to (and sometimes sound like). The blog chronicles nights full of 79-cent hot dogs, free sex toys, all-ages shows, and even a pellet-gun shoot-out in a friend’s backyard -- all juicy memoirs with which to wow the kids years from now.

But how will the Flairs hold up to the mostly unflustered rock ´n’ roll crowd at Alligator Alley (1321 E. Commercial Blvd., Oakland Park) when they play this Thursday? Chances are, if they do their rendition of Skid Row’s “18 & Life,” things will go just fine and you’ll be able to read all about it the next day on the blog.

 

http://www.realdetroitweekly.com/article_1708.shtml

 


The Flairs/Shut Up And Drive
The Flairs are: Three chicks (including one ex-Bif Naked member), one dude and all Canadian. Their girly, sugary songs are easy to digest while still rocking hard. Incredibly catchy and bouncy, The Flairs still manage to pull off a Skid Row cover (“18 & Life”). It's tied together by solid pop punk themes, without seeming manufactured. – MS

 

 

 

Dick Destiny

Expert rock and roll ratings and expert national security affairs stories by George Smith, not necessarily in any order or absolutely guaranteed.

 

The Flairs are a current Canadian band, the beneficiaries of a first round of publicity for Shut Up and Drive, one which netted them almost nothing. I saw the band in one of the guitar mags, and to frame this right, you have to know that the practice in such pubs is to essentially give out freebies to new product in the front of the book. And that more than half the article will be dumbass discussion about what it's like to be a girl doing rock and roll in a man's world. And the specs on the guitars and amplifiers used. It's not always that predictable, some would say so comfortingly so, but the practice is dependably formulaic.

What this also means is that The Flairs are one of those prole hard rock bands deemed completely uninteresting by the vast majority of music editors running reviews and profiles of altie product.

They're not quirky or literary and they're obviously influenced by 80's-Sunset Strip pop metal and meat-and-potatoes punk rock. (They do a version of Skid Row's MTV hit, "18 & Life." It's not the best song on the CD.) So if you're a music writer you can pitch them around for review and have it met with a shrug or a gratuitous insult on how boring they allegedly sound. And if they get covered, it will be by an intern at a weekly writing for free or almost free, way in the back, limited to a sentence or two connected to an appearance at a local firetrap where they're on the bottom of the bill, or at best, the middle.

The Flairs, in other words, make just the kind of charging hard rock I like. You can play them alongside Teaze and the major difference is only that the songs are sung and written by girls and Flairs lyrics are better. They perform with vigor, tackle their material with enthusiasm, sound like they'd be a heckuva treat for thirty minutes in person, and have written one excellent end-of-summer tune in "Falling Into Pieces."

 

 

 

mmbanner205.gif

http://www.metalmaidens.com/Cdreviews1n.htm

 

THE FLAIRS-The Flairs (independent)
THE FLAIRS are from
British Columbia, Canada, but nowadays they operate from Toronto. Two band members from THE FLAIRS played in a band, called TUULI. Regular readers of our magazine might remember this name, I think. The band is completed by the female guitarist of BIF NAKED, who added her little brother to the line up. The debut album of THE FLAIRS consists of fourteen songs with a kick ass attitude, and a high level of catchy choruses. Think about BIF NAKED, THE DONNAS and AVRIL LAVIGNE here. Enough guitars to be reviewed here and with a lot of potential to be played on the local radio stations. Remarkable fact is, that they open this self-titled debut album with the SKID ROW cover “18 & Life”. “Falling Into Pieces” has got a more punky attitude to it, while “Forgotten” has got that same power. It’s not strange, that the band appeared as THE RAMONES at the Hair Ball, where local bands dress up like their favorites and play a cover set of this particular band. As you can see, the music of THE FLAIRS is definitely heavier than the music of TUULI. Right in the middle of the album, the band cranks out a cover of BILLY IDOL’s “Rebel Yell”. Pure sweat ‘n roll is what you’re gonna get, so to speak. The band has already played with DAVID LEE ROTH, and I think that there will be more to come in the near future. The first step to an international breakthrough is made with this catchy punkrock album. Fourteen songs with a total running time of about fifty minutes is what you get. THE FLAIRS consist of Gillian Hanna (ex-BIF NAKED) on guitar, Ryan Hanna on bass, Dawn Mandarino (ex-TUULI) on guitar and vocals and Jen Foster (ex-TUULI) on drums. Website: http://www.theflairs.com. [7 points] (Toine van Poorten)

The Flairs' Dawn Mandarino Doesn't Mind Being The Centre Of Attention
Monday January 03, 2005 @ 04:00 PM
By: ChartAttack.com Staff

The Flairs
The Flairs

The girls (and boy) are back in town.

After making the jaunt all the way from British Columbia, The Flairs have made Toronto their temporary base of operations while touring Southern Ontario. One would think being so far from their native Vancouver would cause some homesickness, but according to lead guitarist Gillian Hanna, that’s far from the truth.

"The hardest part of this is trying to stay on the road!" she says with a laugh. "We want to tour as much as we possibly can, but it’s hard with our lack of funds and opportunities. We’re working on it, though."

Singer/guitarist Dawn Mandarino adds, "We’d probably stay on the road forever if we could."

The tour-loving band is comprised of Mandarino and Hanna plus bassist Ryan Hanna and drummer Jen Foster, with Mandarino and Foster being well-known refugees from goth-punk group Tuuli. Mandarino describes The Flairs experience as being "the complete opposite" from Tuuli, although the irrepressible chick-rawk vibe is similar — even in the face of an increasing "boys’ club" mentality in the music scene.

"I remember being in Tuuli and having people tell us, ‘We can’t play you on rock radio because rock radio isn’t playing female singers right now.’ We got that SO much," Mandarino recalls with a bit of frustration. "I think that’s something that, unfortunately, we don’t really have any control over. You just have to keep plugging away, doing what you do and eventually getting people to notice you." A sudden dangerous grin crosses her face. "And if people don’t like it, screw them."

It’s this remarkably punk attitude that gives The Flairs an edge in the realm of Canadian music, despite the relative newness of the band. Short as it’s been so far, they all admit that their time in The Flairs has already been a valuable learning experience.

"For me, I think I learned a lot really quickly," says Hanna. "I went from playing bars in Vancouver to jumping on board with the Bif Naked tour. Then I hooked up with these guys and we’ve been learning how to do everything ourselves. I’ve learned how to write songs with a full band."

Mandarino agrees. "I think all of our songwriting has matured, even just from starting this band. I think the songs we’re writing now are way more improved than our songs from the beginning." She pauses thoughtfully. "And as for me, I guess I had to learn how to become a frontperson."

So was becoming the center of attention difficult for her?

"No." Mandarino’s instantly deadpanned answer gets laughs from the entire group. She shrugs again before continuing, "Seriously though, we’re all in this because we love doing what we do — it’s our job, really, and we’re happy to have it. Nothing’s gonna stop us."

—Caitlin Hotchkiss

NMW Report Day 3: J. Englishman Takes On Vancouver
Monday November 15, 2004 @ 03:30 PM
By: ChartAttack.com Staff

The Flairs' Gillian Hanna
The Flairs' Gillian Hanna

ChartAttack has been covering every day of Vancouver's New Music West festival. Today J. Englishman lets us in on his adventures...

11 p.m. The Flairs, Buffalo Club
Former Tuuli member Dawn Kerns (wife of Todd) and her crew muscle their way through their own particular brand of intense '80s inspired glam metal for the 21st century. Dead is the cutesy poppy Tuuli girl of yesterday. In her place is a dangerous snarling demon diva that slithers and sneers its way menacingly across the stage. I can’t take my eyes off her. And it is fast becoming apparent that Ms. Naked’s Jam is the spot for the night. Ryan Dahle (Limblifter) Rich Priske, Gavin Brown, the members of Lucie Idlout’s band and the boys from Marble Index are all in attendance.

 

 

Manchester Music.co.uk

:: The Flairs ::

13 March 2006 / Demo / 14 Trk CD

By JR


The Flairs were formed when Toronto based Dawn Mandarino left up and coming girl rock outfit Tuuli, taking with her the bands on hire drummer Jen Foster. Hooking up with Bif Nakeds Gillian Hanna, the results, with the later addition of Gillians brother on bass were the foundations of The Flairs and this collection of demos and promo recordings, sets the bands sights firmly on the road to pulverising, tuneful guitar rock. There’s a metal strand throughout the album, but the stand out tracks are the outstanding “Ready To Roll” which out-Donnas the Donnas and the bands faithful but strangely compelling cover of Skid Rows “18 & Life”, which is incredibly louder than the original. The tracks get more impressive with “Destroyer” showing plenty of muscle, chart ambition and enough adrenalinised pace to take on any major label efforts. The more obvious rock and roll moments are less successful than their punkier more aggressive bouts, but this is a band on the cusp of something much bigger and for such a proven sound, The Flairs can only bolster the new assault of wave sounds from femme-rock bands.

MMM ½


Resources:
The Flairs

Review from “STRUTTER MAGAZINE” www.strutter.8m.com (Holland)

THE FLAIRS ‘SHUT UP AND DRIVE’ (INDEPENDENT)

Here we have a very strong Canadian band called THE FLAIRS, consisting of 3 female and 1 male member, of whom Dawn Mandarino is the lead singer. Musically they play catchy in your face Melodic punky Rock and Roll like a mix between GIRLSCHOOL, THE DONNAS, TORONTO and PHANTOM BLUE, although most of the time they remind me of underground acts ENVY and POISON DOLLYS, the bands around the sisters Stille in the 1980s (if anyone remembers them, then you know how this THE FLAIRS sounds like. The 14 included songs on their debut CD are all very catchy and easy to sing-a-long with, completed with strong hooks, melodic vocals and flashy guitarwork, so definitely something worth checking out if you like updated 80s Melodic Rock/Metal. One of the highlights is the superb “Stinger” that almost sounds like a 80s female fronted AOR/Poprock Classic a la very early PAT BENATAR, ELLEN SHIPLEY and TORONTO! A surprise is the cover of the SKID ROW classic “18 and life”, done very well and by far this was the best SKID ROW song ever! Also The very catchy “Destroyer” should be mentioned. Without a doubt, a band ready to hit the major labels soon and perhaps the next THE DONNAS, but then from Canada! More info at: http://www.theflairs.com

 

(Points: 8.7 out of 10)

 

Belltown Messenger
Girls Rock Out *Messenger Archives - Dec 2005* ELAINE BONOW hears the sound of tomorrow

During a blustery weekend in November a gaggle of girls strummed into Seattle for the ROCKRGRL Conference. I joined the fray as a volunteer. They were from all over the world and professional as all heck slinging promotional CD's, lighters, stickers and postcards. .

The Flairs, from Vancouver BC, put on a great show. The lead singer was slick and pretty in a tiny black skirt with thigh high fishnets grabbing her skinny legs, wailing into her scarf-festooned microphone. The left-handed guitarist thrashed, red hair flying, black leather pants shinning, stuck out her tongue, and flashed the devil sign. Her tall brother on bass crouched real low, head whipping as the petite drummer whomped on her kit. The Flairs ended the night with a Billy Idol anthem which left everyone satisfied knowing that rock n' roll is alive and well (and not the same tired white-boy alt-country crap we hear every day on KEXP).

 

 

FEBRUARY 3, - FEBRUARY ,9 2005 :: ISSUE 16 VOLUME 47 – THE CARILLON – REGINA, SK

Rocking with Flair
by Dan MacRae
 
Vancouver rockers bring in noise, sweat

---
“Recently there have been a lot of shoe gazers, “sighed Dawn Mandarino, the vocalist/guitarist of The Flairs. “Where have all the bands gone that want to put on a good show? “

Mandarino is lamenting this while sitting in the B.C. accounting firm where she works when she isn’t one quarter of
Vancouver glam-punkers The Flairs. With a giddy bounce of pop-punk, glam-rock, and 80s metal (Skid Row is a band favourite and a heartfelt tribute to “18 and Life “is in their repertoire), The Flairs are a rock outfit with Canadian rock veteran status. Mandarino and drummer Jen Foster were formerly of the doomed to CanCon medium rotation goth rockers Tuuli. The other half of the band is made up of ex-Bif Naked guitarist Gillian Hanna and her brother/bassist Ryan Hanna. All of which seem to have a manic drive to be alive on stage.

“When fans leave our show, we want them to say that show kicked my ass, “said Mandarino with obvious zeal to be back on stage. “We’re trying to bring showmanship back. There are some artists doing that. [An upcoming tour partner] Robin Black for example. His show is one we model ourselves after. “Along the same lines, The Flairs have also opened for gigolo-spokesman/paramedic/showman extraordinaire David Lee Roth.

“David Lee Roth was so cool, “gushed Mandarino. “Oh my God! Listen to what’s playing on my Ipod (Dawn holds up her mp3 player to the phone and the Carillon hears the bombast that is Van Halen’s
Panama). We didn’t know what to expect with him. He was just a pleasure to be around. He is very serious about what he does and also very cool. “

In Aught Five, the rock landscape is still generally empty when it comes to heavy-modern-rock-radio-rotation for estrogen-rich bands. Still, Mandarino sees progress. “Things are changing in rock radio. When Tuuli came out there were virtually no female singers on the radio. I remember back in the early nineties there were tons of female singers. Then it went into a whole Nickelback/Creed thing. It was kind of sad. But now there are female voices back on the radio. “

What about being lumped in with other female-fronted acts?

“Getting compared to bands with a female lead singer is understandable, “explained Mandarino. “I actually prefer a female lead singer. It makes things for me much more interesting and exciting. “

The Flairs have had the joy of playing at North By Northeast (NXNE),
Toronto’s acclaimed new music showcase festival. “North By Northeast was a really big deal. It was our first time back in Toronto after leaving (the Toronto-based) Tuuli. And it was exciting that we could show them our new sound. People see us on stage and go whoa. People weren’t expecting us to come up without new music. “said the accountant/rocker. And about their upcoming show in Regina?

“They can expect a lot of sweat and noise. “

The Flairs are currently on the road promoting their debut EP. They will be playing The State on February 11.

 

The Now Newspaper – Vancouver, B.C

 

The Flairs are (from left) drummer Jen Foster, guitarist Gillian Hanna, her brother bassist Ryan Hanna, and singer Dawn Mandarino. The group formed when Foster and Mandarino moved to the Lower Mainland to form a group with Surrey's Gillian Hanna, and picked up Ryan Hanna to complete the band.
Photo/Brian Howell


Such Flair – Carolyn Cooke

Surrey's Gillian Hanna exudes flair with her wild red hair and rocking guitar licks, as anyone who was at the Ozone Nightclub Thursday night would have noticed.

The Flairs, an up-and-coming rock band featuring the talent not only of Gillian Hanna, but also her brother Ryan Hanna, Jen Foster and Dawn Mandarino, got things moving for the concert, headlined by Bif Naked.

The initial idea for The Flairs was born while Gillian Hanna was on tour with Bif Naked as her guitarist. Hanna met singer Mandarino and drummer Foster, who were then touring with a band called Tuuli. The three found they had much in common and thought it would be cool to play together - if ever the Tuuli members moved to the West Coast. Just over a year ago, Foster and Mandarino did pack up and head west, and it seems to be a smart move as The Flairs were formed and hit the ground running.

"We needed a change - musically and otherwise," Mandarino said.

The trio explored a heavier sound than any of them performed to that point, more reminiscent of '80s hard rock. When they realized they needed a bass player, Gillian Hanna volunteered her brother Ryan. Foster said she was a bit iffy about having a brother in the band, but it's all good.

"I'm normally a guitar player," said Ryan Hanna.

He said he and his sister grew up playing off each other playing guitar, since they started playing at the same time.

Not only does the brother and sister team get along well enough to work together, the entire band has a camaraderie that shows in how they write and shape their songs collaboratively. Their easy-going humour, talent and back-to-basics hard rock earns the musicians their moniker.

The Flairs are currently in the studio recording and hope to finish later this month. For more information on the band and upcoming concerts, see www.theflairs.com.